Scott
Superb! As adventurous as Tortoise but more accessible...I liked it so much two tracks in that I bought it even without money to pay for it (transferred funds from my beer budget, yes it's THAT good). I hope Lawrence can get on board a label able to maintain this CD's excellent production values (Gizeh or Serein perhaps?) but releasing far more than 50 copies; this music needs to be heard! Thank you, Whitelabrecs, for giving him the opportunity.
Favorite track: Wing Half.
Limited edition vinyl-effect CDr with polaroid artwork print
Compact Disc (CD) + Digital Album
Each highly limited collectable Whitelabrecs release is built around a set format as follows:
50 x vinyl-effect CDrs with card vinyl-style sleeves, rubber stamped titling, a polaroid print of the cover artwork housed inside a plastic case to keep it looking mint. Ink, font style and sleeve colours will vary for each release, chosen by the artist.
Includes unlimited streaming of Wing-half
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
‘Wing-half’ is the debut album from FragileField and was recorded using the facilities available whilst studying at Huddersfield University, UK. Lawrence Berry, originally from Lancashire has been writing and composing music for as long as he can remember and has been playing guitar since the age of six. Towards the end of his studies, Lawrence established the FragileField project as he made use of the wealth of musical equipment available at the university. With the aid of studios kitted with top quality hardware and a range of instruments including grand pianos, double basses, trumpets and saxophones, the varying but musical sound of FragileField developed.
Lawrence adopts a free-thinking approach to composition, incorporating his myriad influences of William Walton, Wayne Shorter, Talk Talk, Burial and Tim Hecker as Modern Classical sounds meet Ambient, Post-Rock and Jazz. With the cover artwork scanned from an old photograph of his mother, Lawrence’s chosen theme for this mini album is in part family. The album’s title ‘Wing-half’ was the position his grandfather Walter Whitehurst played for Manchester United in the 1950’s, a brilliant man that he got to know well up until the first year of college when he passed away suddenly.
Wing-half is comprised of five tracks that are all inter-related, sequenced to allow the off-kilter moments chance to evolve. This is perhaps the most melodic record we have released on Whitelabrecs so far and marks a departure for the warmer months that lie ahead. There is a real vibrancy as the wealth of musical genres blend together yet the sound ebbs and flows as quieter, more reflective moments are overlapped by drums, jazz and rock inspired passages. Clocking in at 28 minutes, you’ll find that the album can easily be listened to in one sitting as it flits between moods and themes, as if reflecting on a life well-lived.
At the end, thoughts return to Mr Whitehurst as this colourful journey curtails suddenly – on reflection you’ll be left breathless as you contemplate the ups and downs of the constantly evolving Wing-Half.
credits
released April 22, 2017
Written and produced by Lawrence Berry
Mastered by Tim Diagram
Artwork by Lawrence Berry
Drums by John Kirby
Cello by Keely Willox
Cello by Ernest Romancukas
Bass by Joe Sage
Trumpet by- Alex Windwood
Saxophone by George Winsall
Guitar, Piano, Dulcimer, Bass, Drums, Synths, Double Bass - Lawrence Berry
Whitelabrecs is a record label established in 2016, specialising in highly limited runs of vinyl-effect CDrs and occasional
digital-only editions. The discography focuses on contemporary Ambient music, including Drone, Modern Classical and Electro Acoustic....more
When seeking truly quiet, peaceful music, most of what I hear I leave, not sensing internal depth below the sound. This is different. In a moment when subtle stimulation (a bit paradoxically) is sought as a means to deeper tranquility, this excels beautifully. For others who might have connected with Stray Ghost or Silver Mount Zion or Taphephobia, yet whose minds can dwell in greater and healthier lucid calm, this is remarkable. L
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The streets we walk along are indeed made of paper, the rubber of our heels erasing every trace of our ever having been here. Still, how wonderful to be here, awash in this cinematic soup with all its transcendent emotions and unfathomable banality. The day I lost my violin was the day I became a poet. If I were a musician like Sven, I could tell you so much more clearly exactly what I mean. Wyndham Rain