James A. McDermid
Individually, both of them have released albums this year that are amongst the best I've heard; here, they go one step further with an album so drenched in beauty, so poetically uplifting and inspiring that it acts as a sort of personal 'reset' switch on 2020-2021.
Favorite track: the still point.
This special limited edition release is in a run of 100 copies, modeled around the classic gatefold vinyl LP. It includes printed front, rear and inner sleeves featuring art and design by Tom Tebby, along with a card sleeve which houses a printed vinyl-effect CDr.
Includes unlimited streaming of the equation of time
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.
Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.
The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.
The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend.
released May 22, 2021
Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby
Whitelabrecs is an experimental record label established in 2016, specialising in highly limited runs of vinyl-effect CDrs
and occasional digital-only editions. The discography focuses on contemporary Ambient music, including Drone, Modern Classical and Electro Acoustic....more
supported by 54 fans who also own “the equation of time”
it takes a while, but the cover art finally starts to make sense: the entire album has been a sort of slow-motion takeoff. that feeling in your gut, where your stomach starts floating as if it’s weightless; that’s what anthéne does best. the last few tracks explode in turbulent walls of sound, with the titular track and light shade edging on the cinematic. as if by leaving the ground your memories are already fraying miso
supported by 52 fans who also own “the equation of time”
vár spoils you with blurry melodies, intricate synth work, and washed-out drone aesthetics before fading amidst field recordings of ocean waves. it practically demands a replay immediately after the disc has run its time. childish, fickle, but at the same time ephemeral as spring itself miso